La ricotta | La rabbia
Introduced by Ara H. Merjian (NYU)
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Topic: Literature
- Canto per Canto
Inferno 14: Against Us at the Threshold of the Gate
Joseph Nicolello (Fordham University) in conversation with Rafa Torre de Silva (NYU)
Watch the video: Inferno 14: Against Us at the Threshold of the Gate
- Art
The Reappearing Pheasant [Part 3]
An Introduction to Contemporary Italian Poetry by Luigi Ballerini.
Watch the video: The Reappearing Pheasant [Part 3]
- Canto per Canto
Paradiso 21: Saturn and Leo
Alessandra Borgia (Mechnikov University) in conversation with Anastasia Sidorchuk (Mechnikov University)
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- Canto per Canto
Purgatorio 25: Dante ‘Illuminated’ : The Challenge of Purgatorio 25
Melissa Conway (UCLA) in conversation with Tom Parisi (Saint Mary’s College)
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- Art
Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism
Author Ara Merjian in conversation with Francesco Guzzetti, Teresa Kittler, Barry Schwabsky. Moderated by Alessandro Giammei. Co-presented with Magazzino Italian Art, Center for Italian Modern Art, Italian Cultural Institute of New York.
Watch the video: Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism
- Canto per Canto
Inferno 28: Scandalous Words, Split Bodies
Andrea Celli (University of Connecticut) in conversation with Akash Kumar (Indiana University)
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The Reappearing Pheasant [Part 3]
An Introduction to Contemporary Italian Poetry by Luigi Ballerini
View details about the event: The Reappearing Pheasant [Part 3]
- Canto per Canto
Paradiso 5: To Make a Deal with God: Vows and Free Will in Paradiso
Emily Olsen (Dante Society of America) in conversation with Erick Spahr (University of Oxford)
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- Canto per Canto
Purgatorio 6: Hometown Blues
Alison Cornish (NYU) in conversation with Stefano Albertini (NYU)
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La misura del tempo
Gianrico Carofiglio
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Against the Avant-Garde
Pier Paolo Pasolini, Contemporary Art, and Neocapitalism
View details about the event: Against the Avant-Garde
- Canto per Canto
Inferno 25: Ophidiophobia
Eva Del Soldato (University of Pennsylvania) in conversation with Marco Aresu (Wesleyan University)
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