
Uno, nessuno e centomila
- Literature
Luigi Pirandello
View details about the event: Uno, nessuno e centomilaAs part of the 28th edition of New Italian Cinema Events (N.I.C.E.), a Q&A with director Francesco Falaschi, in conversation with Stefano Albertini (NYU), on the occasion of the screening of “Quanto Basta.” December 4, 2018
Watch the video: Presentation of “Quanto Basta”A conference honoring the centenary of the world premiere of Puccini’s triptych. Featuring Stefano Albertini (NYU), Shiela Kibbe (Boston University), Peter Clark, Carolyn Guzski, David Rosen, Deborah Burton, Cori Ellison, and William Berger. November 30, 2018
Watch the video: Puccini’s “Trittico” at 100A lecture by Brian Richardson, University of Leeds. November 28, 2018
Watch the video: Women and the Circulation of Texts in Renaissance ItalyToday’s word is FIGURATI, an Italian single-word expression signifying contradiction and disbelief.
Watch the video: Parole Parole: “Figurati”Today’s word is BOTTEGA, an Italian word with multiple meanings relating to storage and schooling.
Watch the video: Parole Parole: “Bottega”Tenor Michael Fabiano in conversation with Fred Plotkin. Adventures in Italian Opera with Fred Plotkin. November 20, 2018
Watch the video: A Conversation with Michael FabianoIn conjunction with the exhibition NeoRealismo: The New Image in Italy, 1932-1960. An introduction by Jenny McPhee, (NYU). November 19, 2018
Watch the video: Jenny McPhee Introduces “Riso Amaro”Martina Caruso discusses her book Italian Humanist Photography from Fascism to the Cold War with David Forgacs (NYU) and Maria Antonella Pelizzari (CUNY). November 16, 2018
Watch the video: Italian Humanist PhotographyA lecture by Laura Mattioli, founder of the Center for Italian Modern Art (CIMA). November 15, 2018
Watch the video: The Fate of Futurism in the USALa voce di New York
Read more about: “Isabella Unmasked”: the Italian Commedia dell’Arte Is Coming to New York (open in a new tab)The Digital Poet
Read more about: Neorealism has Never Been this New… Interview with the ADMIRA-ble Enrica Viganò (open in a new tab)