Studi sullo stile di Bach

Part of the series
Pasolini: Politics & Poetry
Curated by Ara H. Merjian and Mila Tenaglia
On the 50th anniversary of the death of Pier Paolo Pasolini (1922-1975)

Performance
Studi sullo stile di Bach
(Studies on the Style of Bach)

Music by J.S. Bach
Luigi Attademo, guitar

Words by Pier Paolo Pasolini
Laura Croce, narrator

Run Time: 55 min.

In ITALIAN with ENGLISH supertitles

Studi sullo Stile di Bach seeks to bring Pasolini’s reflections back to the attention of the public, in conjunction with the very music that inspired them. Luigi Attademo performs, on the guitar, Bach’s works highlighted by Pasolini through his unique language—at once that of an art historian and of a naïve, wonderstruck listener before such beauty. The performance unfolds as a melologue, in which music and poetic commentary alternate and interweave, giving form to the expressive and dramatic resonances that Pasolini discerned in Bach’s works.

Casa Italiana Zerilli-Marimò presents Pasolini: Politics & Poetry, on the fiftieth anniversary of Pier Paolo Pasolini’s death. The artist endures as a figure of controversy and contradiction, yet this milestone demands more than commemoration: it calls for a critical interrogation of his literary and cinematic oeuvre—vast, fractured, and unruly—alongside the political and intellectual commitments that continue to resist facile categorization. Curated by Professor and author Ara H. Merjian and creative producer Mila Tenaglia, the program runs from November 3 to 14 and pursues a multidisciplinary engagement with Pasolini’s work, traversing the languages of music, cinema, theater, and scholarly inquiry. Rather than merely honoring his legacy, the initiative seeks to restore the vitality and provocation of his thought and poetics, with particular attention to how contemporary artists and scholars have reinterpreted, contested, and claimed his intellectual and artistic inheritance. Pasolini: Politics & Poetry extends beyond screenings of Pasolini’s films—drawn from cinetecas, the Criterion Collection, and the Archivi Luce—to embrace works by directors and filmmakers who have discovered in his vision a wellspring for creative dialogue. This convergence of past and present positions the initiative not as a nostalgic ritual but as a living encounter with one of the twentieth century’s most formidable intellectuals, enriched by performances, a video installation exhibition, conversations, and academic interventions. Pasolini’s death—among the most notorious and contested episodes in Italian history—was not simply the murder of a homosexual man, but an event in which politics, literature, and society collided in ways that remain unresolved.